The Number Pieces 6
Five (1988) 5:00
for any five voices or instruments
Seven (1988) 20:00
for flute, clarinet, violin, viola, cello, piano & percussion
Thirteen (1992) 30:00 Essential Music
for flute, oboe, clarinet, bassoon, trumpet, trombone, tuba, 2 violins, viola, cello & 2 xylophones
John Kennedy & Charles Wood, directors
New York based ensemble Essential Music had a strong relationship with John Cage in his later years. This experience gives these recordings a special authority. Recorded in 1993-94, they are being released for the first time.
In 1987 John Cage began writing his “number” and “time-bracket” compositions, which became his primary compositional method for the remainder of his life. These works are named for the number of musicians participating, consist of the number of parts with no complete score, within which are various series of flexible time-brackets in which each musician is free to choose the beginnings, ends, and durations of one’s notes.
Thirteen is Cage’s final completed work. This is only its second recording.
Five does not specify instrumentation. Essential Music chose to perform it, with Cage’s approval, by blowing into bottles to create pitches creating a mysterious effect.
Volume 44 in Mode’s John Cage Edition.
John Cage profile/discography
Essential Music profile
John Kennedy profile
Charles Wood profile
Also by ESSENTIAL MUSIC on Mode Records:
John CAGE: “The Lost Works” — The City Wears a Slouch Hat, etc. (mode 55)
Peter GARLAND: Another Sunrise — with Aki Takahashi, piano & harpsichord (mode 110)
William RUSSELL: Complete Works for Percussion (mode 34)