(1926 - 1987)
Discography
Related Resources
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(1926 - 1987) Discography Related Resources |
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  Bass Clarinet and Percussion (1981) Carol Robinson, solo clarinet & bass clarinet, Françoise Rivalland, percussion, Peppie Wiersma, percussion (mode 119) Between Categories (1969) for 2 Chimes, 2 Pianos, 2 Violins & 2 Cellos *FIRST RECORDING The Barton Workshop James Fulkerson, trombone, conductor & director (mode 107)  Clarinet and String Quartet (1983) Carol Robinson, solo clarinet & bass clarinet, Quatuor Diotima: Eiichi Chijiiwa, violin, Nicolas Miribel, violin, Franck Chevalier, viola, Pierre Morlet, cello (mode 119)  Durations (1960)
Philipp Vandré and Thaddeus Watson, directors (mode 103)  Extensions 1 (1951) for violin & piano Philipp Vandré, piano (mode 66) Marc Sabat, violin Stephen Clarke, piano *FIRST RECORDING (mode 82/83) Extensions 3 Aki Takahashi, piano (mode 54) Extensions 3, unpublished version (1952) for piano Philipp Vandré, piano *FIRST RECORDING (mode 66) Extensions 4 (1952-54) for 3 pianos The Turfan Ensemble Philipp Vandré, piano and conductor *FIRST RECORDING (mode 66)  For John Cage (1982) Marc Sabat, violin Stephen Clarke, piano (mode 82/83) Four Instruments (1965) for Chimes, Piano, Violin & Cello The Barton Workshop James Fulkerson, trombone, conductor & director (mode 107) Four Songs to e.e.cummings (1951) for Soprano, Piano & Cello The Barton Workshop James Fulkerson, trombone, conductor & director with Claron McFadden, soprano (mode 107)    Illusions (1948) Aki Takahashi, piano First Recording (mode 54) In Search of An Orchestration (1967) The Barton Workshop, Jos Zwaanenburg, conductor *FIRST RECORDING (mode 146) Intermission 3 (1951) for piano Philipp Vandré, piano *FIRST RECORDING (mode 66) Intermission 4 and 5 (1952-3) for piano Philipp Vandré, piano *FIRST RECORDING (mode 66) Intermission 5 (1953) for piano Philipp Vandré, piano *FIRST RECORDING (mode 66) Intermission 6a (1953) for 1 piano Philipp Vandré, piano *FIRST RECORDING (mode 66) Intermission 6b (1953) for 2 pianos Philipp Vandré, piano *FIRST RECORDING (mode 66) Intersection (1953) for magnetic tape *FIRST RECORDING (mode 66) Intersection I (1951) The Barton Workshop, Jos Zwaanenburg, conductor *FIRST RECORDING (mode 146) Intersection II (1951) Frank Denyer, piano (mode 146) Intersection III (1953) Frank Denyer, piano (mode 146) Intersection IV (1953) Taco Kooistra, cello (mode 146) Intervals (1961) for Bass-Baritone, Trombone, Cello, Vibes & Percussion The Barton Workshop James Fulkerson, trombone, conductor & director with Charles van Tassel, bass-baritone *FIRST RECORDING (mode 107)  Journey to the End of Night (1949) for Soprano, Flute, Clarinet, Bass Clarinet & Bassoon The Barton Workshop James Fulkerson, trombone, conductor & director with Claron McFadden, soprano *FIRST RECORDING (mode 107)  The King of Denmark (1964) Michael Pugliese, percussion First CD release (mode 25)   Marginal Intersection (1951) The Barton Workshop, Jos Zwaanenburg, conductor *FIRST RECORDING (mode 146) Music for Jackson Pollock (1950-51) for 2 cellos, section from original soundtrack to a film by Hans Namuth The Turfan Ensemble Philipp Vandré, piano and conductor *FIRST RECORDING (mode 66) Music for Jackson Pollock (complete original soundtrack, mono) Jackson Pollock, speaker Daniel Stern, cellos *FIRST RECORDING (mode 66)  Nature Pieces (1951) for piano Philipp Vandré, piano *FIRST RECORDING (mode 66)  O'Hara Songs, The (1962) for Bass-Baritone, Chimes, Piano, Violin, Viola & Cello The Barton Workshop James Fulkerson, trombone, conductor & director with Charles van Tassel, bass-baritone (mode 107) Out of 'Last Pieces' (1961) The Barton Workshop, Jos Zwaanenburg, conductor *FIRST RECORDING (mode 146)  Palais de Mari Aki Takahashi, piano (mode 54) Piano Piece (1955) Aki Takahashi, piano (mode 54) Piano Piece (to Philip Guston) Aki Takahashi, piano (mode 54) Piece for Violin & Piano (1950) Philipp Vandré, piano *FIRST RECORDING (mode 66) Marc Sabat, violin Stephen Clarke, piano (mode 82/83) Projection I (1950) Taco Kooistra, cello (mode 146) Projection II (1951) The Barton Workshop, James Fulkerson, conductor (mode 146) Projection III (1951) Philip Corner and Frank Denyer, pianos (mode 146) Projection 4 (1951) Marc Sabat, violin Stephen Clarke, piano (mode 82/83) Marieke Keser, violin and Frank Denyer, piano (mode 146) Projection V (1951) The Barton Workshop, James Fulkerson, conductor (mode 146) Projections (1950-51)
Philipp Vandré and Thaddeus Watson, directors (mode 103)    Spring of Chosroes (1977) Marc Sabat, violin Stephen Clarke, piano (mode 82/83) Straits of Magellan, The (1961) for flute, horn, trumpet, amplified guitar, harp, piano & contrabass The Turfan Ensemble Philipp Vandré and Thaddeus Watson, directors (mode 103) The Barton Workshop, James Fulkerson, conductor (mode 146) String Quartet No. 2 (1983) FLUX Quartet (mode 112)  Three Clarinets, Cello and Piano (1971) The Barton Workshop (mode 107) Carol Robinson, solo clarinet & bass clarinet, Pierre Dutrieu, clarinet, Olivier Voize, clarinet, Elena Andreyev, cello, Vincent Leterme, piano (mode 119) Triadic Memories Marilyn Nonken, piano (mode 136) Two Intermissions Aki Takahashi, piano (mode 54) Two Intermissions (1950) for piano Philipp Vandré, piano *FIRST RECORDING (mode 66) Two Pieces for Six Instruments (1956) for flute, alto flute, horn, trumpet, violin & cello The Turfan Ensemble Philipp Vandré and Thaddeus Watson, directors *FIRST RECORDING (mode 103)   Variations (1951) for piano Philipp Vandré, piano *FIRST RECORDING (mode 66) Vertical Thoughts 2 (1963) Marc Sabat, violin Stephen Clarke, piano (mode 82/83)    
"Late Works with Clarinet": Interview with Carol Robinson by Alan Nicholson. |
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